Saturday, September 2, 2023

Essential Creativity

Last night, I spoke with the featured artist at a gallery at the Sedona Art Walk. What he told me has me thinking deeply about the artist’s plight. And the plight of humanity right now. As I ready myself to enter the world of the gallery scene and show my art more, I wonder about every other artist in that scene. Read more of my thoughts below. I hope you can join me in thought and conversation.

The artist told me that painting for a living changes everything. There is no more creativity. Wow! How can that be? Further, he explained he needs to make work that sells and has settled into a genre that sells well. That is what he paints now. He says there is no more room or time to paint just for himself, to paint what he wants. He has to paint what sells to satisfy the clientele in the gallery to make a living. When he paints commissions, he’s painting for the client, not for himself.

Galleries require artists to make consistent work so they can sell it. If an artist veers off the known path for that artist, it makes it more difficult for the gallerist to sell the work, since it doesn’t fit into the other work.

Is there a global creativity crisis?

So, is the creativity of artists suppressed globally? I envisioned artists all over the planet being pigeonholed into making art that sells. Now, I understand where the phrase “selling one’s soul” comes from. Are artists selling their souls when they can’t merely paint for themselves anymore because they need to eat and pay the bills? They could get a second job to do that, but is that fair to the artist? 

When I finished that last line, a friend sent me the following image.

I guess this is the plight of the artist and anyone else who wishes to exercise their creative power. How can they make it in this world - how to survive and thrive - while doing work that they love? And this is so key - to do work that they love. The world would be a happier and saner place if individuals were free to pursue their passions. Instead, we’ve created a world geared toward getting things and making money to get those things. We go to our 9-5 jobs to make money, not to make happiness. What is happening to our humanity - we are born to create.

Splintering Creativity

How do we remain true to the spirit of creativity and balance it with what is valuable in the marketplace? Is it right to splinter creativity - create for the different parts of us - body, mind/self/soul, spirit?

1. Spirit - pure creativity coming through us from our creator/the divine

2. Body - create to survive and thrive - food, shelter, fun.

3. Mind/Self/Soul - create in the middle - a blending of pure creativity from spirit sent through our human filter of mind

So, shall I paint for a living? Is it fair to ask, demand that the artist create for the marketplace? Artists need to be supported to create art purely for the sake of creation, not just to fulfill their basic needs for survival and well-being. So, what’s the solution - for the artist population and me personally?

The Allure of the Gallery Scene

The allure of the gallery scene has its benefits:

  • Get my art known.

  • Get my art sold so it can make its impact in the world.

  • Let someone else do the selling since I’m not good at it. That will allow me more time to create. Although, if someone else is selling it, that implies permission to have a say in what sells. Hmm...

  • Building up my resume to be seen as an artist of substance in the view of art museums - my ultimate art goal.

Maybe the best option is to go for grant money, but I think grants look at the artist’s track record of shows and gallery representation.

“Make visible what, without you, might perhaps never have been seen.” – Oprah Winfrey



Artists Must Create 

Artists need a space where they can create freely, without having to meet the demands of the marketplace.. Artists need to create what’s in them to create. It’s important for society for artists to create what’s in them to create. Growth and evolution of civilizations depends on this. The artist answers to a higher calling. We must subsidize them in this. I think there are foundations out there that assist artists to create. I need to research this topic.

Possible Solutions

Maybe one solution is the artist-run galleries and the artist-coop galleries, where artists can sell what they want. I don’t think I’ve ever given these types of galleries another look or thought. Now, I think they might be onto something. It keeps the power within themselves and the artistic community. I’m sure they still find they need to cater to a certain clientele to stay in business. But I will consider this option now. It’s time to visit a few and research the possibilities.

Maybe that’s one solution - The artists’ marketplaces where they create what they want and open up the space for people to buy their creations. And open to taking donations simply to support them to keep creating. 

Is this right thinking? Or am I delusional thinking that art serves a high purpose to humanity or the universe/the All? Is creation essential?



“There is no doubt that creativity is the most important human resource of all. Without creativity, there would be no progress, and we would be forever repeating the same patterns.” 
– Edward De Bono




Extra

My friend and I continued our conversation as I finished writing this article. I had sent her the beginning since she sent me the image during its writing. Her timing for sending that image was uncanny. It came out of the blue. She didn't know I was writing this article. I thought you might enjoy reading our conversation. She gave me permission to include it. The result for me was high inspiration. I hope it will be for you too. 

Friend: "And I think you should always paint from the soul! The right clientele will appreciate the passion behind the work and buy!"

Me: "Well, I love that sentiment! The conversation last night has me thinking deeply about all this. Right now, I paint for my soul and passion for what wants to appear on the canvas. I wonder if the galleries will pigeonhole me? Maybe the artist has to put their foot down or go to another gallery? Anyway, I'm writing to get my thoughts out on paper."

Friend: "To get into a gallery, the paintings must have been done from the soul and with great creativity...  so that should continue whether in a gallery or not."

Me: "What makes you think that galleries care about such things? I guess I'll find out through experience with galleries. I haven't been in a gallery for a long time, so I'll have to just experience what it really is like." 

Friend: "Because they like the pre gallery paintings enough to put them into their gallery.  I would think that is what they would want to continue.  What is art without the passion??? I think if a painting is forced, the cliente would notice.  I love the wild crazy paintings from the soul for sure!"

Me: "Indeed!!! That's my point. I'm wondering if artists lose their passion once they get into galleries? lol... I don't know! ๐Ÿคท‍♀️ Wild crazy paintings - wonderfully put!"

Friend: "And an artist like you, look at all the genres you have in your portfolio!  I just can't see any passion being lost with all the options you have. I say always keep painting what you are feeling and enjoying what you do.  Stay true to you and everything will fall into place.  Kind of like they have been doing!"

Me: "Ha! Well, with the help of a good friend and ally, ๐Ÿงก they are falling into place. I'll just go with the flow and stay positive, keep creating from the well of passion.๐Ÿ’™"

Friend: "Yes!"

She sent these art quotes that are perfect for our conversation.

THANK YOU FOR DONATING TO MY ARTISTIC PURSUIT


"Every artist dips his brush into his soul and paints his own nature into his paintings." 

–Henry Ward Beecher


"I don't paint the world I see, I paint the world I feel."
–Unknown


What Do You Think?

Please comment below. Let's get this conversation rolling!

 “Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.” – Austin Kleon




Sunday, July 9, 2023

About Painting: Emerge with Passionate Action, Heal, and Be Free

“Emerge with Passionate Action, Heal, and BE Free”
Edge-to-edge size: 41.25 inches x 60 inches.
Approx. stretched size: 37 inches x 56 inches Acrylic on Canvas 

Saturday, June 24, 2023

Painting: The Village Rests Under the Promise of the Harvest Moon

The Village Rests Under the Promise of the Harvest Moon
56 H x 37 W x 0 D


The painting began abstract with the green drips and soon evolved into a story-like image. The full dimensions of the canvas edge to edge is 60 H x 41.25 W x 0 D (inches). The approximate dimensions after stretching it over stretcher bars is 56 x 37 inches. Ships rolled in a tube.

Purchase Link


Please leave a comment with your thoughts on this painting.



Friday, June 16, 2023

Progress on Big Turquoise

Big Turquoise painting in progress
Acrylic on Canvas, 60 x 41.25 inches

“The position of the artist is humble. He is essentially a channel.”

— Piet Mondrian

I’m making slow progress on the big turquoise abstract painting. It seems to have a life of its own now. The composition is developing into a story. What story do you see?

From my Art Journal on June 6, 2023

I dream of a free-spirited approach to applying paint in active, spontaneous ways. However, my inner painter or expression seems to prefer curvy delineated shapes. The painting’s process is one more of considering the next step, feeling, and waiting for a response, a nudge, or guidance on the next move.




Saturday, June 10, 2023

In Process Painting - Turquoise Painting

 

Big Turquoise (working title) in Process
41.25 x 60 inches

I began with a turquoise background. Then came the green drips, which became outlined by Burnt Umber Light. After that, I filled in with pale shades of blue and yellow. The painting evolved to the point you see it now. Enjoy the quick, short video of painting detail. 


Stay tuned as I complete this painting.



Friday, June 9, 2023

The Making of a Painting - River Spirit

Painting on location in Camp Verde, AZ
 

“When you do things from your soul, you feel a river moving in you, a joy.”

- Rumi

There's nothing as refreshing as finding a river in the desert. After five years of living in Camp Verde, Arizona, I discovered this location just across the parking lot from our local library. Wow! I was stunned. The part of town I live in is pure desert - hot and dry. It's gloriously beautiful with the mountain ranges surrounding me. The hiking is spectacular. But it's dry! Having a beautiful oasis nearby is so refreshing - the water and the green color are healing and quenching.


Painting on location in Camp Verde, Arizona USA

I grabbed a piece I had worked on years ago and was never really happy with it. I used it as the background for this painting. The intensity of the red-orange backdrop compliments the colors of the blues and greens in the work.

The painting might not be finished. It's sitting so I can contemplate its completion.

“A dream is like a river ever changing as it flows and a dreamer's just a vessel that must follow where it goes.”      

- Garth Brooks

Me, Mary Rush at the river painting in Camp Verde, Arizona
Photo credit Jill Langley.






Saturday, June 3, 2023

The Making of Painting - Life Cycle

 

Life Cycle

  • 14.25 x 14 x 0.125 in


Process

I was experimenting with pattern to create a sense of depth. I used a leaf stencil I had made from another painting to add the gold metallic leaves adding another layer of depth.


The Making of the Painting: Flow

 

Flow

  • Mixed Media on Canvas
  • 82 x 49 x 0 in
  • Flow, Mixed Media on Canvas, 82 x 49 x 0 in (full size), 78 x 45 inches is the approximate stretched size.

The initial idea was to show flow from the top of the painting to the bottom. The painting took a few turns in achieving this goal. In the end, it does. It's up to the viewer to decide the rest of the story. And if it is about flow to them or something else.


“Abundance is a flow of energy through you.” Steve Rother


"As your faith is strengthened you will find that there is no longer the need to have a sense of control, that things will flow as they will, and that you will flow with them, to your great delight and benefit."–Emmanuel Teney



Description

This painting was the largest I’ve painted so far. I didn’t accomplish it without growing pains.

In process


Process

The logistical process was a challenge from the beginning. Oh, the angst. Ha! From deciding the exact size to cut the canvas to reconfiguring my hanging system, I had to do the preparatory work before putting paint on the canvas.


Once that was over, how to paint the vision that came to me about this painting? Flow. That was the initial idea. I wondered how I could achieve the feeling of flow without actually painting water.


"Climbing is the same: recognizing that you are a flow. The purpose of the flow is to keep on flowing, not looking for a peak or utopia but staying in the flow. It is not a moving up but a continuous flowing; you move up to keep the flow going. There is no possible reason for climbing except the climbing itself; it is a self-communication.”― Mihaly Csikszentmihalyi, Flow: The Psychology of Optimal Experience


Maybe there are many ways to understand “flow.” Maybe there are other meanings behind this painting to the viewer. So, I’ll stop my side of the story and let you decide what it’s about and how it achieves that.


Your Turn

Let me know what you think. Post a comment below. Thanks!





Saturday, May 13, 2023

New Painting - Salt Mine Spirit

Salt Mine Spirit

  • Mixed Media on Canvas
  • 36 x 41 x 0 in

Salt is born of the purest parents: the sun and the sea.
–Pythagoras


 It was a gorgeous day with large puffy white clouds against a cerulean blue sky. I set up my painting supplies on a patch of conveniently placed concrete leftover from the salt mining activities of long ago. The view was amazing.




A Messenger from Above

I stood looking at the vastness. Should I turn my canvas to paint the scene just to the left of this scene? Or should I leave it as is? I looked up with those questions in mind. A bird caught my eye over the canyon, flying high above the mountain directly across from me. What? Is that a bald eagle? Yes! It was as I incredulously looked for and validated the telltale white tail and white head. I couldn’t believe it. In the six years I’ve lived in Camp Verde, Arizona, and the many times I’ve hiked this location, I’ve never seen an eagle here, only hundreds of ravens and some turkey vultures.


There must be something strangely sacred about salt. It is in our tears and in the sea.
–Khalil Gibran


Eagle sightings are rare where I live. The past year has netted me three sightings. I saw none in the four years prior. I feel blessed every time. So, this was my sign. The canvas is facing the correct direction. I usually see a red-tailed hawk as my messenger. One time down by the river, it was a snowy egret.

Process

I started with a chunky graphite stick and drew the parts of the scene I wanted to paint. Then, I painted. When I was close to filling in all the colors except the green, the wind picked up in gusts. I asked if I could please paint the green. I painted the green, but not without a fight. The wind moved my canvas around, flipping it back onto itself several times. The rock weights at the corners were no contest to the determination of that afternoon wind. I finally had to surrender. Packing up was fun. Ha! I packed as best I could, folding the canvas in half and quickly hiking back.



I drew the design of the landscape with a chunky graphite pencil before painting.


I laid the painting on my deck to dry when I returned home. In the studio, I completed it.

What do you think of this painting and its story?

Please post a comment below. I'd love to hear from you!

Purchase this Painting





Saturday, April 29, 2023

Painting On Location at the Salt Mine

 

Painting on location at the Salt Mine, plein air
36 x 41 inches
Mixed Media on Canvas

It was a gorgeous day with large puffy white clouds against a cerulean blue sky. I set up my painting supplies on a patch of conveniently placed concrete. The view was amazing.

I stood looking at the vastness. Should I turn my canvas to paint the scene just to the left of this scene? Or should I leave it as is? I looked up with those questions in mind. A bird caught my eye over the canyon, flying high above the mountain directly across from me. What? Is that a bald eagle? Yes! It was as I incredulously looked for and validated the telltale white tail and white head. I couldn’t believe it. In the six years I’ve lived in Camp Verde, Arizona, and the many times I’ve hiked this location, I’ve never seen an eagle here, only hundreds of ravens and some turkey vultures.


The vast scene before me.

Eagle sightings are rare where I live. The past year has netted me three sightings. I saw none in the four years prior. I feel blessed every time. So, this was my sign. The canvas is facing the correct direction. I usually see a red-tailed hawk as my messenger. One time down by the river, it was a snowy egret.

I started with a chunky graphite stick and drew the parts of the scene I wanted to paint. Then, I painted. When I was close to filling in all the colors except the green, the wind picked up in gusts. I asked if I could please paint the green. I painted the green, but not without a fight. The wind moved my canvas around, flipping it back onto itself several times. The rock weights at the corners were no contest to the determination of that afternoon wind. I finally had to surrender. Packing up was fun. Ha! I packed as best I could, folding the canvas in half and quickly hiking back.


The scene to the right of where I was painting.


I laid the painting on my deck to dry when I returned home. I’ve been working on it and will show you the final version when it’s complete.


Can I hear from you?

What do you think? Am I lucky to have this beauty available to paint? I love to hear your comments.


Website

© 2023, Mary Rush Artist - Wildfeather Fine Art






Final Painting - Verde River at Copper Canyon Trailhead

 

Verde River at Copper Canyon Trailhead
48 x 41.25 inches
Mixed Media on Canvas
$1,200


"There are risks and costs to action. But they are far less than the long-range risks of comfortable inaction."–John F. Kennedy

I prepared a canvas on Monday. All I had to do was pack my backpack and grab the canvas. Off I went. I arrived at Copper Canyon Trailhead and unloaded my gear. I hurried to the rail, ducked under, and hurried down the trail. It was after 3 pm, so I wanted to get to the waterfall quickly to paint and hike back before dark.

I wasn't sure if I should go because of the impending rain. But, oh man, I was determined to see that waterfall and paint at its edge! But the further I went, sliding on the mud in places, I finally turned back to the car. I stood at the railing and wondered if it was raining in the mountains. Maybe it was just sunlight rays. ๐Ÿ˜€ I got in the car after deciding it was too risky. I drove about 1/4 mile and turned around at the shooting range.

I am going to paint! I prayed to God and the powers-to-be to lift the clouds and hold the rain until I got back home. Faith! I must have faith! I hadn't felt such determination in myself for a long time. It felt exhilarating. 


“It’s his crazy risk-taking that makes his work extra special.” –Forbidden City, William Bell

Determined to Paint

So, out of the car again, I grabbed my gear and marched down the trail, not to be stopped by anything. I walked quicker than I ever had to beat the rain and the light. I finally reached the turn-off for the waterfall.

What? No!!! It can't be! The area was closed! I wasn't going to get to the waterfall after all my gyrations. I felt tempted to go anyway. But I figured the U. S. Forest Service had good reason for closing it, so I stood incredulous for a few minutes and turned back down the trail in search of another spot anywhere near as exciting to paint.

I found one spot where the stream had a nice zig-zag in its curve. And the trees were amazing. A clearing to lay my canvas on was there too.

A young couple gazed my way as they walked down the trail. I waved and said hi. They walked on.

My excitement returned. I was going to paint. To be outside painting is still a thrill for me. And painting on the ground is freeing and fun; it connects me to the land. I painted until it felt time to go when the clouds were getting dark. I could feel rain in the air. The way the trails flood would not be safe to be out there. I made enough progress on the painting to be satisfied.

Back at Home

I laid the painting on the deck floor when I returned home. It was cold and windy, so I put my coat and hat on and worked on the upper right section, and painted white over the background. I'll hang it on the wall inside and see what else needs to be done. It's wild and free right now, just like the land and the nature scene where I painted. I want to let that rough, authentic, wild side of its essence shine through

Living with fear stops us from taking risks, and if you don't go out on the branch, you're never going to get the best fruit.-Sarah Parish


Purchase Link

© 2023, Mary Rush Artist - Wildfeather Fine Art



Sunday, March 26, 2023

Risking the Weather to Paint

Copper Canyon Stream, Acrylic on Canvas. In-process.

 


There are risks and costs to action. But they are far less than the long-range risks of comfortable inaction.

John F. Kennedy


Have you ever worked on something for so long that you can't do it anymore? I've been working on a large abstract painting which I resisted hugely this week. Finally, on Friday, I decided to go outside to the land to paint. Since it's been raining and flooding for over a week (and on/off for a month), I was excited to see the waterfall again to witness it gushing strongly down the rocks.


Plein Air Painting In Process

Copper Canyon Stream

I prepared a canvas on Monday. All I had to do was pack my backpack and grab the canvas. Off I went. I arrived at Copper Canyon Trailhead and unloaded my gear. I hurried to the rail, ducked under, and hurried down the trail. It was after 3 pm, so I wanted to get to the waterfall quickly to paint and hike back before dark.


At Copper Canyon Trailhead
Camp Verde, AZ


I wasn't sure if I should go because of the impending rain. But, oh man, I was determined to see that waterfall and paint at its edge! But the further I went, sliding on the mud in places, I finally turned back to the car. I stood at the railing and wondered if it was raining in the mountains. Maybe it was just sunlight rays. ๐Ÿ˜€ I got in the car after deciding it was too risky. I drove about 1/4 mile and turned around at the shooting range.

 

I am going to paint! I prayed to God and the powers-to-be to lift the clouds and hold the rain until I got back home. Faith! I must have faith! I hadn't felt such determination in myself for a long time. It felt exhilarating. 



“It’s his crazy risk-taking that makes his work extra special.” Forbidden City, William Bell


So, out of the car again, I grabbed my gear and marched down the trail, not to be stopped by anything. I walked quicker than I ever had to beat the rain and the light. I finally reached the turn-off for the waterfall.


The perfect spot to paint nature.


What? No!!! It can't be! The area was closed! I wasn't going to get to the waterfall after all my gyrations. I felt tempted to go anyway. But I figured the U. S. Forest Service had good reason for closing it, so I stood incredulous for a few minutes and turned back down the trail in search of another spot anywhere near as exciting to paint.

I found one spot where the stream had a nice zig-zag in its curve. And the trees were amazing. A clearing to lay my canvas on was there too.




Canvas ready to paint!


A young couple gazed my way as they walked down the trail. I waved and said hi. They walked on.

My excitement returned. I was going to paint. To be outside painting is still a thrill for me. And painting on the ground is freeing and fun; it connects me to the land. I painted until it felt time to go when the clouds were getting dark. I could feel rain in the air. The way the trails flood would not be safe to be out there. I made enough progress on the painting to be satisfied.


The painting as it is now.

I laid the painting on the deck floor when I returned home. It was cold and windy, so I put my coat and hat on and worked on the upper right section, and painted white over the background. I'll hang it on the wall inside and see what else needs to be done. It's wild and free right now, just like the land and the nature scene where I painted. I want to let that rough, authentic, wild side of its essence shine through.

Working on the deck after I returned home.


Living with fear stops us from taking risks, and if you don't go out on the branch, you're never going to get the best fruit.

Sarah Parish




I'd love to hear from you!

Please let me know your thoughts. Have you taken risks that panned out? Do you like the wild nature of this painting's expression?






Sunday, February 12, 2023

New Abstract Painting: The Sum of the Parts

The Sum of the Parts, 41.75 x 37.75 x 0 inches, Mixed Media Collage on Paper


"The Whole is Greater than the Sum of its Parts" - Aristotle 


 Original mixed media painting by artist Mary Rush. Collage paper pieces, acrylic paint, and acrylic mediums combine to create a unique work of art. The color scheme of yellow and turquoise is warm and pleasing. The large original artwork is approximately 42 x 38 inches. Hang from hooks as shown or frame it. 

 Separate collage pieces stayed separate during the entire painting process. The overall golden color of yellow ochre and cadmium yellow gives a warm glow. The warmth is offset by light and dark turquoise. 

The collage pieces were painted, cut, and then adhered to the painting before painting began. You can see the collage pieces before they became part of this painting.



The painted and cut collage pieces.




The in-process video takes you through the parts of this painting before its completion.





Saturday, January 21, 2023

The Light and Dark - Two New Small Works on Paper

mixed media artwork on paper
The Light and Dark - new works on paper.


It's hard to believe that I worked on these two simultaneously; both received collage pieces from the same painting source. 

 

I finished the second one (The Dark) a day later. What a difference a day makes, as they say. Every day is a new vibe. I like to finish a painting on the same day, although this rarely happens.

 

I was afraid that I had pushed The Dark too far. But, hahaha, that's what the dark is all about, I guess. 


The Light, 14.875 x 20.8125 inches, Mixed Media Collage on Paper


 

Paper - Love/Hate?

I've had a love/hate relationship working with this paper. It's drawing paper, not meant for water media. I reinforced the front and back with gesso and other mediums before and during painting to prevent buckling of the surface. 

 

The previous painting, Painting 154, felt like I didn't get the mix right, although it looks fine. These two paintings ended up thick with a textured, bulky hand to them. You can't get the feeling of the quality in this digital format. In-person, they emanate the grit of the working process behind the scenes. 

 

I haven't worked in a collage technique for a long time. I found it enjoyable. Cutting paper dolls was my all-time favorite activity as a child. Cutting the paper and gluing it onto the paintings was fun for my inner girl.


mixed media collage on paper
The Dark, 14.75 x 20.75 inches, Mixed Media Collage on Paper


 

Thoughts?

I'd love to hear your thoughts. They are available. They might be up on my Artwork Archive website by the time you read this. My trackpad and keyboard batteries are going dead; I'm wrapping up this blog article before I upload them to the website. If you are interested, you know how to reach me - email mary@wildfeatherfineart.com.